Glitch Art

Many of these works adopt a multimedia approach, with the theme of transformation consistently present. I do not aim to represent objective reality. I often use media in unconventional ways, hacking audiovisual equipment through circuit bending to create an aesthetic based on error.

Cathode Ray Tube Glitch Art . Private Collection _ 2004

The work was exhibited in 2007 at the Doppio Gioco exhibition at the Loggia della Mercanzia, Genoa, Italy. Exhibition curated by Francesca Serrati (Villa Croce Museum), Anna Daneri (Coordinator of the Higher Course in Visual Arts, Ratti Foundation, Como), Emilia Marasco (Director of the Ligurian Academy of Fine Arts), and Franco Sborgi (Professor of Contemporary Art History, University of Genoa). Sandra Solimano (Director of the Villa Croce Contemporary Art Museum).

Title: Glitch Flowers – Glitch Art _ 2023

Glitch Flowers” is a video art piece that explores the aesthetics of error through concept art and music inspired by glitch. Created during the COVID-19 quarantine, the work stems from separate concept art, images, and music that share the common element of the aesthetic error of glitch. The imagery of flowers symbols of life and time is combined with musical tracks generated by a prepared piano, reflecting a connection between sound and vision. Despite employing a less academic approach to John Cage’s technique, the use of computerized post-production has produced unique soundscapes in a context reminiscent of circuit bending. The piece is complemented by Glitch Art photographs and the album “Broken Harmony,” which includes the soundtrack for these works.

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Glitch Art _ 2023

Published for the cover of GUD Magazine in 2024, which revolves around the theme of hyper-humanity. Curated by the Design Department (DAD) of the esteemed Faculty of Genoa, this issue promises to delve into the fascinating topic of hyper-humanism.

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Glitch Art _ 2023